The Fault In Our Stars exists merely for the purpose of being soppy and pleasing the already existent fan base, writes Paloma Sharma.
A Million Ways To Die In The West could have done better with more editing and less Seth McFarlane, says Paloma Sharma.
Heaven is for Real is a well scripted drama that manages to warm your heart, but its religious undertones are a bit annoying.
Grace of Monaco is a shoddily written film, says Paloma Sharma.
Filmistaan has a strong plot and well-developed characters, says Paloma Sharma.
What makes The World Before Her stand out is that it has the courage to ask what nobody else does: who is the Modern Indian Woman? Paloma Sharma reviews the film.
Maleficent ends up disappointing after a decent start, says Paloma Sharma.
The Raid 2 is dominated by a lot of unnecessary violence, says Paloma Sharma.
Heropanti tries to deliver a highly confused sermon on love and freedom of choice, which ultimately comes down to much sasur-damaad (b)romance.
Mighty Raju is a toned down version of Krrish 3.
The film may have a point when it questions the treatment of players as commodities, it overdoes the white saviour act a bit, says Paloma Sharma.
Yeh Hai Bakrapur starts off on a promising note but loses steam soon after, says Paloma Sharma.
Manjunath is a lesson in humanity we all need at the moment, says Paloma Sharma.
Purani Jeans lacks vision, originality and the spunk one expects from a college romance film, says Paloma Sharma.
Don't waste your money on the latest Tarzan. Watch the old film instead.
Revolver Rani could have been the movie of the year. It ended up as a confused film that can't decide who, or what it wants to concentrate on instead, says Paloma Sharma.
Brick Mansions never slows down enough to let you enjoy the brilliance of David Belle's liquid movements and never speeds up the story to keep you from yawning, writes Paloma Sharma.
Samrat & Co. might be about an extraordinarily observational man's fight against crime but as far as cinema goes, this film is a crime against the genre.
Tarzan is one of those rare scripts that Hollywood should have faxed to Bollywood and let them do it their way because only Karan Johar could have saved this film with a decent love triangle and loads of family melodrama, writes Paloma Sharma.
Son Of God is an epic fail, rants Paloma Sharma.
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